The painting and Fontser lIgor Carretero, tun something of protest and criticism in social injustice, diconformisme part of a model society that slowly swallows it discriminates with whom you can share a sedentary lifestyle and those of the most bitter contempt. His references range from the Impressionists, to the Catalans Dara more poignant, not to mention Picasso and Mirperjo, observing his work, and letting me carry on as they say, in many Sometimes I see some ties Goya am critical, not the court. The fact that his work is now much out indifferent to who provides, knows accentuate the message, load the reference point, drawing in the service distorts the condemn. The his canvases, grand-format has to do with his nobility, "sn tcap sincere and not blush to undress and show us, in some cases, their tenderness and romance. Charles Painter Cataln